Returning to Jerusalem Old City is like slipping back into a comforting dream, where everything’s familiar but yet appears unreal, and ringed with a mystifying aura.
Differences arise from being here during December, rather than the Autumn. It means that the city is grey, somewhat misty, and that the slabs paving the endless lanes are slick with drizzle, while before they were always dull and sticky with dirt.
I find myself no less taken aback to see Orthodox Jews travelling by foot on lanes dominated by Palestinian traders and shoppers. Obviously, the heightened police presence helps, but when two Yeshiva students begin to haggle with the Palestinian phone-dealer near my hostel, it serves as evidence for how easy it is for individuals to transcend collective identities for the sake of a good deal and a better day.
I trace familiar routes along market lanes. Hooded zippper sweat-shirts with thick flurry linings are in vogue this season. The same butcher is selling frozen beef cuts, frozen fish and school diner-style ‘meat’ in breadcrumbs from his street-side display. The confectioners seem busy but underwear and clothing shops are empty, owners pacing before their wares, chatting with neighbours and ignoring potential customers. Unlike in Syria, tourists are endemic here and I’m just another one of the dozens out today. I’m alone, others are in groups (matching orange hats) and some, like two Asian cyclists, move on wheels in lycra-clad pairs. Even they don’t attract attention. Evidently, we are nothing out of the ordinary.
My aim for the day is to see whether the Old Town CD sellers stock Palestinian hip-hop. The first two do, though they only have the same selection of three homemade discs, amongst hundreds containing love-songs and more traditional sounds. The guy at the third place hands me a different CD. ‘This is hip-hop’, he says confidently. On the cover, a gap-toothed old man stands alongside two younger, thick-set men in shiny suits. The title says something about Abu Zarad, and I have my doubts, but curiosity gets the better of me. Having had a listen, I can confirm there is no emerging grandpa rap scene in Jerusalem. Too bad.
Later, I exit the Old City on the eastern edge, past the Western Wall and al-Aqsa. Across the road I am confronted by a wooden facade painted with colourful depictions of Jerusalem’s touristic offerings. It’s new since last year and stretches away downhill to the left. Backing away to peer over the top, I make out the sprawl of Palestinian East Jerusalem, houses stacked on the hillsides, topped by water tanks and broken up by strips of open ground, strewn with household garbage. A sign on the wall declares that the Jerusalem Municipality is working to ‘secure and improve the safety of Eastern Jerusalem’. I struggle to understand exactly what this means, but the purpose of the facade is clear enough. Who wants to look at this dilapidated area? Who wants to face the demographic reality? Who wants to fathom the massive gulf between the development of East and West Jerusalem?

So, a day that began with a show of human commonality at the phone shop, continued with a stark reminder that governments can easily disrupt this, and work hard to institute and normalise deep division.
Really, I don’t even try to make this stuff political. But then it’s Jerusalem… What do you expect, for chrissake?